Memorial for Boogie Street (2018 - 2019)
Moses Tan presents works from his recent series, Memorial for Boogie Street (2018). Incorporating drawing, sculpture, audio and virtual reality, Tan’s suite of works in By All Estimates seek to re-articulate often forgotten, repressed and censored queer histories of Singapore, especially of the communities and activities that centred around Bugis Street from the 1950s to the mid-1980s when the downtown area begun its transformation from a well-known (and well-frequented) site for cruising and transgender sex workers and their clients to what is today a haven for tourists with malls, markets and cultural institutions. Playing with ‘Boogie Street’, the title of a Leonard Cohen song that is said to have been inspired by the songwriter’s short stopover in Singapore in the early 1970s on the way back from Sydney as part of a world tour, Tan’s works are an elegy to an era that seemed more open – and paradoxically, compared to today – permissive of flaunting queerness ,while at the same time stand as metaphors for the relationship between the street and the inner lives and latent desires of its varying denizens.
Text by Curator, Pedro de Almeida
Also, as part of the exhibition, check out the text in 4A papers by the amazing Eugene Yiu Nam Cheung here:http://www.4a.com.au/4a_papers_article/melancholy-desire-moses-tan/